Amagi STUDIO

Your control room.
In a browser tab.

Amagi STUDIO unifies switching, audio, graphics, and AI-assisted orchestration into one cloud-native platform, built to scale from a three-camera studio show to hundreds of concurrent broadcast-grade feeds, with no dedicated hardware to buy, install, and maintain.

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100+ concurrentUncompressed 1080p60 inputs
AI-nativeProduction setup and operations
Vertical video nativeA 9:16 show from the same production
Sub-second latencyEnd to end, across the signal graph
Use cases

One control room. Every kind of production.

Amagi STUDIO is built for complex, distributed live production. News is where it is proven today, and sports, including rich replay capability, is where the platform goes next.

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News & studio programming

Studio-hosted shows with remote correspondents, hybrid studio and field-reporter workflows, and centralized newsrooms feeding distributed contributors.

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Live sports & remote production (REMI)

Multi-camera switching for live sports of all types, from large productions to small and scrappy ones, with remote announcers and a central control room while cameras stay on site.

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Live event coverage

Conferences, cultural events, and political coverage produced from one control room with contributors distributed across venues and cities.

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Multi-production operations

Monitor and run several concurrent broadcasts from a single dashboard, with independent health and status per production, and switch instances up or down as demand changes.

Vertical output

A vertical show, framed live. Not cropped afterwards.

Your audience left the 16:9 frame. Getting there today means a second crew, or an automatic crop applied to a finished show that slices your own graphics in half. Amagi STUDIO makes the vertical feed part of the production, framed by the person directing it.

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One production. Two shows.

Enable vertical output on a production and it appears in the flow as a crop stage, a graphics layer, and an output of its own. The default framing is usable immediately, with no further configuration.

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Your 16:9 graphics stay untouched

The vertical feed is taken from the clean program, ahead of your 16:9 graphics. Lower thirds and bugs are never sliced into the vertical frame.

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Vertical gets its own graphics

The vertical output carries its own HTML5 graphics layer, authored for a 9:16 frame, so vertical gets real vertical branding rather than an awkward crop.

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Monitored like any output

Add a vertical program monitor to any operator layout, and a dedicated vertical tile to the video wall. Confirm what is going out without leaving the production.

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Automation can drive it

The framing is a value your rundown or automation layer can read and write over the API, with the same authority as the operator at the desk.

In your monitoring too

Roles, not workstations

Director, audio, graphics, and replay each get a layout built for the job in front of them, and switch layouts mid-production without leaving it.

Every seat, no shared desk

Every seat, no shared desk

Multiple operators work the same live production at the same time, each from their own browser, anywhere with a connection.

A real multiviewer

A real multiviewer

The video wall puts Preview, Program, and every source on one screen with live tally borders. Run it fullscreen on a second display.

The desk you already know

The desk you already know

External control surfaces, tally signaling, and keyboard-driven shortcuts, so the browser is the engine and not a constraint on the desk.

What your team can do

The same crew. A bigger show.

Multi-camera switching, live graphics, a video wall, mix-minus for remote guests, aux feeds, a simultaneous vertical show: capabilities that used to mean a specialist per position, rented gear, or a truck in the parking lot are now things one production turns on.

The production crew is still controlling the show. Amagi STUDIO takes away the equipment, the patching, and the setup, not the judgment. Anything the platform does for you is something the crew can see and override while on air.

Reliability

Fix issues before they reach your audience.

The fair question about running a live show in the cloud is what happens when something breaks. Amagi STUDIO is built to see trouble coming. A source drops, an input stalls, a service starts to struggle, and the crew knows while there is still time to act, before anything is visible on air.

Engineering sees the same picture through the API, without being in the room, across every production at once. A switcher in a rack cannot tell you it is about to fail. This can.

Real-time health

Real-time health

Every input, output, and service reports its status live, on a dashboard built for someone watching several shows at once.

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In your monitoring too

The same health data is available over the API, so it lands in whatever your engineering team already watches.

Redundancy

Redundancy without a second rack

Run redundant instances across availability zones as a configuration choice rather than a duplicated hardware budget.

Move a service mid-show

Move a service mid-show

Media services can be relocated between compute hosts while the production is live, without dropping a frame.

AI native

Describe the show. Amagi STUDIO works it with you.

Like extra crew on hand, Amagi STUDIO puts AI to work before, during, and after the show: making the operation smoother and more efficient, and raising the bar on what a team of any size can put on screen.

Before the show

Before the show

It starts with setup: describe what you need in plain language and Amagi STUDIO assembles the production flow, ready for you to refine.

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During and after the show

And the direction is proactive. A platform that spots and addresses problems before you need to intervene, and that treats what happens after the show, the clips and cutdowns and vertical versions, as part of the show rather than a separate job for a separate team.

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Amagi STUDIO ships continuously. Improvements arrive as software updates rather than a hardware upgrade project scheduled as part of a refresh cycle.
Getting started

What you need on your end

Bring

Cameras, an SRT encoder at the venue, and a browser.

  • ✓ Amagi STUDIO ingests SRT and NDI, so existing SDI cameras stay where they are
  • ✓ Operators need a modern browser and a normal business connection — media never touches their machine
  • ✓ Off-the-shelf control surfaces like a Stream Deck work out of the box
  • ✓ Clips play from a watch folder, with colorbars and stills built in

Don't bring

The capital budget you were about to spend on the room.

  • ✕ No switcher, audio console, or graphics engine
  • ✕ No multiviewer hardware and no workstation at the operator seat
  • ✕ No refresh cycle, and no facility footprint to power and cool

Built to pass your security review

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Amagi STUDIO is enterprise software, bought and run the way the rest of your SaaS is: single sign-on, so operator access follows your joiners-and-leavers process instead of a vendor user list; role-based access, so building a production, running it live, and monitoring it are separate permissions; encryption in transit; and the same global cloud footprint and cross-region redundancy model Amagi already runs for broadcasters in production today.

Developer platform

Everything the operator can do, your systems can do too.

Amagi STUDIO exposes a REST API over the same platform the operator interface runs on, so headless operation is a first-class path rather than a workaround.API
Provision — Stand up a show from your systems control observe

Provision — Stand up a show from your systems

Create a production, define its inputs and outputs, and configure every device through the API. Spin up a show from your scheduling or orchestration system without anyone opening a browser.

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Control — Drive it live

Create a production, define its inputs and outputs, and configure every device through the API. Spin up a show from your scheduling or orchestration system without anyone opening a browser.

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Observe — Watch it from outside

Create a production, define its inputs and outputs, and configure every device through the API. Spin up a show from your scheduling or orchestration system without anyone opening a browser.

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See it work with real content

Twenty minutes with a solutions engineer, on your cameras and your show. If it fits, we will talk about what joining the early access group looks like.

Request a Demo

Get started

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